a slightly greener thing
Theme and Variations
Duration: 21 minutes
Ensemble: Saxophone octet (or ensemble)
Premiere: Portland Saxophone Ensemble, 18 July 2026, Chamber Music Northwest—Summerfest 2026, Kaul Auditorium
2026
PDF set of score and parts:
Program notes
Every composer tries to write for orchestra – usually long before they should – before they have the technical skills to do so or the trust of a conductor or ensemble to perform their music.
I was not immune to this allure. My effort was a 10-minute tone poem, also titled “…a slightly greener thing…”, the title borrowed from a passage early in American author Richard Powers’ book “The Overstory”:
“A chorus of living wood sings to the woman: If your mind were only a slightly greener thing, we would drown you in meaning.
The pine she leans against says: Listen. There’s something you need to hear.”
At the center of the orchestral piece is a lovely and joyful tune that evokes the foundational care and tenderness the world has for its living things – a world not indifferent to life but supremely hospitable to it, actively bringing about its existence and facilitating its evolution and flourishing across four billion years. Though the original piece didn’t gain a champion to perform it, there was much in it I was proud of and thought should live beyond this first ill-fated foray into orchestral writing.
The idea to write a set of variations on this repurposed tune also comes from the borrowed-from passage from Powers – the variations akin to all the different ways the world sings to us, showing its care for us through gifts of food, water, shelter, medicine, weather – giving of its very body for us to live. I thought that perhaps meditating on this idea – that the earth is not indifferent to us, but loves us, wants us to be and do well – and expressing that across two dozen variations might help that message sink in, inviting reflection on how we can show our appreciation in return.
A final note: in the course of writing the variations, I learned of several pregnancies among my family and friends. Some of the variations are dedicated to and named for the then-pending child/children, with variations assigned according to which one I was writing when I got the news.
Theme
Hundred-acre woods
Double Dawkins
Gornergrat
Baby Amidon
Budget Bolero
Fire and Brimstone
The Flentrop Organ
Billy Boberts had a Baby
Chatfield Hill
Hot potato
Goodfoot
Tabor Circuit
Light in the dark
Mountain-top meditation
The original
The path forward
Bach, fastforward
Gallop
Ivory, then Ebony
Slap happy
Leonard-to-be
Distilled
Spectral
Burn Bright